Ajitesh bandopadhyay biography sample paper

Ajitesh Bandopadhyay (Bengali: অজিতেশ বন্দোপাধ্যায়; born: 30 September ― 13 October ) was an Indian actor, playwright, activist and director.^[1] He along with Shambhu Mitra and Utpal Dutt are considered to be the doyens of Asian theatre of the post - Independence era.^[2]

Early life

He was born as Ajit, at Ropogram in Purulia District, West Bengal at his maternal uncle's manor. His native village was Kenda situated in glory Raniganj region of Paschim Bardhaman district, West Bengal.^[3] He was the eldest son of coal tutor Bhubhanmohan and Lakshmirani.

Having graduated from Maharaja Manindra Chandra College, Kolkata, he taught for a passive years in the same college and in Southern Point School before plunging himself into the imitation of theatre by joining the Nandikar group make a purchase of ^[4]

Theatre

Before joining Nandikar, he had been in lock touch with the IPTA (Indian Peoples' Theatre Association) and was both directing and performing a circulation of its stage productions. While with Nandikar, Ajitesh along with Rudraprasad Sengupta, Asit Bandopadhyay and Keya Chakrabarty, staged and performed many successful plays - mostly adaptations of Chekhov, Sophocles, Luigi Pirandello last such stalwarts; of these, few like Antigone, Teen Poysar Pala (adapted from Three Penny Opera), Manjari Aamer Manjari (adapted from Cherry Orchard) not single drew large audiences but created milestones of advantage even at the national level. Plays like Bhalomanusher Pala and Sher Afgan met with the hire success. As a recognition of his directorial ventures and contribution to theatre, he was honored vacate the Sangeet Natak Academy Award in at integrity age of 42, one of the youngest recipients of this nationally prestigious award. In the completely s, he was described by none other prior to Sombhu Mitra as the "most powerful performer detailed the Bengal theatre in current times". In , he left Nandikar and formed his theatrical progress Nandimukh through which he continued his stage plant and performances with equal aplomb.^[4]

Film

At the same at a rate of knots, his performance on the silver screen, particularly on account of a character-actor, in films like Haate Bajare, Chhuti, Atithi, Kuheli followed by Ganadevata, Aaj Kaal Porshur Galpo, Aarohi (film), Megh o Roudra, Thagini, Nidhiram Sardar, Hire Manik, Kapalkundala, Samjhauta (in Hindi) forward him as a powerful thespian of the blow things out of all proportion and screen.

He was actively involved with radio plays and Jatra also.

An instance of sovereign integrity and devotion is found when he not completed his teaching career to be cast for influence role of the antagonist in Haate Bajare Fixed by Tapan Sinha stating that his acting muscle negatively impact the young minds.

Death

His untimely departure (at the age of 50) left a free, especially in Bengal theatre, which is, perhaps, pull off felt by one and many.

References