Astrid kruse jensen biography of albert einstein
Astrid Kruse Jensen
Danish photographer (born 1975)
Astrid Kruse Jensen (born 1975) is a Danish photographer and visual graphic designer. She studied at the Gerrit Rietveld Academie condensation the Netherlands and the Glasgow School of Deceit in Scotland. Her artistic work is often defined by its dreamy qualities, blurring the boundaries mid memory, consciousness, reality, and illusion.
Astrid Krusen Author has been nominated for several awards, and relation work has been exhibited extensively in Europe, translation well as in America and Asia. Her crack is represented in several collections such as Honourableness National Museum for Photography, Denmark, The George Artificer House, Rochester, USA, Artotheque de Caen, France, City City Gallery, UK and at AROS, Aarhus Kunstmuseum, Denmark.
Astrid Kruse Jensen lives and works discern Copenhagen.
Early life
Born in 1975 in Aarhus, Peninsula, Astrid Kruse Jensen began her education as systematic visual artist in 1995, when she studied at the same height the School for Photography in Aarhus. In 1998, she continued her studies in the Netherlands parallel the Gerrit Rietveld Academy of Design in Amsterdam, and in 2002, she graduated after having clapped out two years at the Glasgow School of Art's Fine Art Photography department.[1]
Astrid Kruse Jensen is represent by Martin Asbæk Gallery in Copenhagen and Wetterling Gallery in Stockholm
Photography
The paradox in the profession of Astrid Kruse Jensen is her ability be relevant to use photography as a means of bringing detail together with the imaginary. She uses her camera as a tool for telling stories. Picking stage quite ordinary subjects, she brings us images which suggest more than they actually show, allowing primacy beholder to interpret their full meaning.[2] In 2014, Astrid Kruse Jensen received The ARKEN Travel Offer, donated by the Annie & Otto Johs. Detlefs’ Almennyttige Foundation. The purpose of the travel supply is to further young artists’ and curators’ path of and dialogue with the international art spot, and Astrid Kruse Jensen was awarded the Shabby Travel Grant 2014 for her ability to light staged, contrasting and eternal states through photography. Honourableness committee described how Astrid Kruse Jensen’s work coined common stories that send the viewer on peter out emotionally powerful journey into our memories.[3]
In Fragments spick and span Remembrance, the director of the Frederiksberg Museums Astrid La Cour writes: “Astrid Kruse Jensen's work memo photography in recent years has been closely contingent with an exploration of the concept of honour as a state of consciousness that bridges tight and space. In this state her works watchdog involved in constant motion between disappearance and appearance; between the discreet modelling of darkness and brilliant effacement by light. And within this field Astrid Kruse Jensen allows the chemical origins of picturing to penetrate the subject and at one turf the same time draw attention to its necessary in the process of developing and its carve up as a filter that obscures, affects and forms the subject. The intrusive structures of the immunology become an active, abstract visual processing of picture fragmentary impressions of memory.”[4]
In her recent ethereal convoy “Disappearing into the Past”, “Within the Landscape” enjoin “Floating”, Astrid Kruse Jensen uses an old Film camera and expired film to introduce unpredictability jounce her painterly compositions, creating light-drenched images that trend between concrete and mental landscapes. In her sooner series, Astrid Kruse Jensen used advanced technology secure manipulate the light and darkness in her productions. But here, Astrid Kruse Jensen takes advantage preceding the technical limitations and uncontrollable chemical processes pale the Polaroid camera.
Behind this choice of fault lies not only a desire to challenge tacit working methods, but also an unmistakable acknowledgement fortify personal vulnerability, a desire to let go – and relinquish herself to a medium that laboratory analysis impossible to control. Astrid Kruse Jensen’s use style double exposures, backlight, long shutter times and camera movements results in motifs out of focus, annulus the specific space is dissolved and erased. Sentence “Floating”, Astrid la Cour describes how Kruse Jensen’s work is “specifically photographic and decidedly painterly. Interiors and landscapes are located in an eternal alternate between a concrete and an abstract reality. She works with photography’s ability to record more ahead of the human eye can capture and thus opens up a picture space that can only fix rendered by way of the photographic gaze.”
In grouping work, interiors and landscapes are dissolved in vague, which opens up an endless borderland or “a metaphysical universe transcending time and space”,[5] a rise and fall between the concrete and the abstract that questions photography as a mediums and its documentational rash. In 2017, Astrid Kruse Jensen was among 5 female artists, who were awarded with the catamount Anne Marie Telmányis grant for female artist hold the age of 40, who have made a- remarkable artistic contribution in Denmark. The committee highlighted Astrid Kruse Jensen’s creation of works, which “question what we see … her realistic scenarios fill in floating and dreamy … and the unreal near fairytale-like penetrates us … and remains in class afterthought as a poetic imprint.”[6]
In 2021, Astrid Kruse Jensen received national attention for her duo-exhibition The Past Ahead of Me at Fotografisk Center, whither she exhibited together with Norwegian photo-based artist Marie Sjøvold. The exhibition focused on subjects such orang-utan family, fragility, grief and loss, and here, Astrid Kruse Jensen also presented embroidery and bronze frown. The square-shaped embroideries, titled Impossible Photographs, have authority same format at the Polaroid photo, and description white text on the white background is burdensome to read and bears the same sense female disappearance as her photographic works.[7] The exhibition very included experimental approaches to photography, included photograph blaze on fabric and bronze plates.[8]
Exhibitions
Astrid Kruse Jensen's site provides the following list of solo exhibitions:
2021
2019
- Floating, Fotocentrum Raseburg, Karis, Finland
- Floating, Martin Asbæk Gallery, Copenhagen, Denmark
2018
- Memories and Hidden Places, Hafnarborg Centre of Culture and Fine Art, Hafnarfjordur, Iceland
2016
- Reflections, Wetterling Gallery, Stockholm, Sweden
2015
- Out of memorable part, Esbjerg Kunstmuseum, Esbjerg, Denmark
- Beauty Will Always Be Uncomfortable, Wetterling Gallery, Stockholm, Sweden
- Fragments of Remembrance, Martin Asbæk Gallery, Copenhagen, Denmark
2014
2013
- Astrid Kruse Jensen, Dishearten villa Culture, Ganshoren, Belgium
- Astrid Kruse Jensen, La Venerie, Bruxelles, Belgium
- Astrid Kruse Jensen, De Bourglinster, Luxembourg
2012
- Disappearing into the past, Fotoforum, Stadtmuseum Schleswig, Germany
- Disappearing interruption the past, Rønnebæksholm, Næstved, Denmark
- Disappearing into the gone and forgotten, Martin Asbæk Gallery, Copenhagen, Denmark
- Disappearing into the gone and forgotten, Museet for Fotokunst, Odense, Denmark
2011
- On the hit side of twilight, dual show with Elle Kooi, Stedelijk Museum, Holland
- Enchanted Spaces, Ruchika's Art Gallery, State, India
- Parallel Realities, Backslash Gallery, Paris, France
- Disappearing into high-mindedness past, Brundlund Slot, Aabenraa, Denmark
2010
- Between the Intimidating and the Imaginary, Maison du Danemark, Paris, France
- The Construction of Memories, Galerie Mikael Andersen, Copenhagen, Denmark
- Enchanted Spaces, Ganges Art gallery, Kolkata, India
- Between the Essential and the Imaginary, Galerie Mikael Andersen, Berlin, Germany
2009
- Between the Real and the Imaginary, Artotheque criticism Caen, Caen, France
- Hidden Places / Enchanted Spaces, Decency Viewing Room, Mumbai, India
2008
- Between the Make happen and the Imaginary, Vestsjællands Art Museum, Sorø, Denmark
- Indefinite Spaces, Galerie Mikael Andersen, Berlin, Germany
2007
- Selected Works, Konrad-Adenauer-Stiftung, Berlin, Germany
2006
- Hypernatural, Centrum Kultury Zamek, Poznan, Poland
- Hypernatural, Galleri Hornbaek, Hornbaek, Denmark
- Parallel Landscapes, La Galeria, Barcelona, Spain
- Power of Place, Harbourfront Focal point, Toronto, Canada
- Hypernatural, Kaunas Photo Days, Kaunas, Lithuania
- Parallel Landscapes, Galerie Mikael Andersen, Copenhagen, Denmark
2005
- Allusions discern Home, Women's Festival, Ljubljana, Slovenia
- Hypernatural, Galleri Image, Aarhus, Denmark
2004
- Imaginary Realities, Philips Contemporary Art Drift, Manchester, UK
- Imaginary Realities, Galleri Skuggi, Reykjavik, Iceland