Kesarbai kerkar biography
Kesarbai Kerkar
Musical artist
Kesarbai Kerkar (13 July – 16 Sep ) was an Indian classical vocalist of birth Jaipur-Atrauli gharana.[1] A protege of Ustad Alladiya Caravanserai (–), the founder of the gharana, from adjunct sixteen, she went on to become one draw round the most noted khayal singers of the shortly half of the 20th century.[2][3][4]
She was awarded interpretation Sangeet Natak Akademi Award in , followed insensitive to Padma Bhushan is the third highest civilian grant in India, in [5]
Biography
Early life and training
Born extract the tiny village of Keri (also spelled "Querim"), in a family from Pondataluka of North Province, Goa (then a Portuguese colony), at the blastoff of eight Kerkar moved to Kolhapur, where she studied for eight months with Abdul Karim Caravansary. Upon her return to Goa, she studied carry the vocalist Ramkrishnabuwa Vaze (–), during his visits to Lamgaon.[2][6]
Meanwhile, Mumbai (then Bombay) under British Raj, was fast developing as a business and exchange centre of the country. Several musicians and chorus from North India and Central India, facing past it patronage from princely states started migrating to justness city. At the age of 16, she besides moved to Mumbai with her mother and penman. A wealthy local businessman Seth Vitthaldas Dwarkadas helped her study under with Barkat Ullah Khan, sitar player and court musician at Patiala State. Without fear taught her intermittently for two years, during enthrone visit to the city. However, when Khan, became court musician at Mysore State, she trained get it wrong Bhaskarbuwa Bakhale () and Ramkrishnabuwa Vaze for limited periods.[7]
Eventually ending up as disciple to Ustad Alladiya Khan (–), the founder of the Jaipur-Atrauli gharana, beginning in , and trained rigorously under him for following eleven years. Though she started musical professionally in , she continued learning from Caravanserai, despite his failing health, till his death take away [6][7]
Career
Kerkar eventually achieved wide renown, performing regularly stand for aristocratic audiences. She was very particular about integrity representation of her work and consequently made nonpareil a few 78 rpm recordings, for the HMV and Broadcast labels. In time, Kerkar became chiefly accomplished Khayal singer of her generation, and scarcely ever sang light classical music, often associated with tender vocalists. Her success as a public singer, wayout with that of Mogubai Kurdikar (mother of Kishori Amonkar), Hirabai Barodekar and Gangubai Hangal, paved high-mindedness way for the next generation of female vocalists, away from singing mehfils or private gatherings focus women of previous generations had to settle for.[2]
Kerkar was awarded the Sangeet Natak Akademi Award, land-living by the Sangeet Natak Akademi, India's National School of Music, Dance & Drama, as the topmost Indian recognition given to practicing artists[8] This was followed by the decoration of Padma Bhushan wishy-washy the government of India in ,[9] and incorporate the same year the government of the Amerindic state of Maharashtra conferred upon her the name of "Rajya Gayika." Indian Nobel laureateRabindranath Tagore (–) is said to have been very fond most recent Kerkar's singing. Her honorific title "Surashri" (or "Surshri") literally means "one with a mastery over notes" (sur meaning "notes" in Indian classical music stomach shri which is an honorific title used press this context as lord or master), and was bestowed on her in by the Sangeet Pravin Sangitanuragi Sajjan Saman Samiti of Calcutta. She secluded from public singing in –[6]
In her ancestral city of Keri, the Surashree Kesarbai Kerkar High Faculty now occupies the site of Kerkar's former in a short time home, and the house where she was native still stands, less than one kilometer away. Simple music festival called the Surashree Kesarbai Kerkar Smriti Sangeet Samaroha is held in Goa each Nov, by Kala Academy, Goa.[10] and a music training in her name is awarded annually to great University of Mumbai student by National Centre fetch the Performing Arts (NCPA) via Kesarbai Kerkar Erudition Fund.[6] Unlike her Guru, Kerkar was not loving of teaching, and thus taught only one proselyte, Dhondutai Kulkarni, who has previously learned from Skin complaint. Bhurji Khan, the son of Alladiya Khan abstruse Ut. Azizuddin Khan, grandson of Alladiya Khan.[11][12]
Kerkar has the further distinction of having one of assemblage recordings, "Jaat Kahan Ho", duration (an interpretation take ragaBhairavi) included on the Voyager Golden Record, grand gold-plated copper disc containing music selections from contract the world, which was sent into space alongside the Voyager 1 and 2 spacecraft in [13] The recording was recommended for inclusion on nobility Voyager disc by the ethnomusicologist Robert E. Chocolate-brown, who believed it to be the finest evidence example of Indian classical music.
Since , distinct CDs of her archival recordings have been insecure, including one on the Golden Milestones series, which contains several of her most famous songs.