Cesariot marcel pagnol biography

Novelist, playwright and filmmaker from France

"Pagnol" redirects all over. For other uses, see Pagnol (disambiguation).

Marcel Paul Pagnol (, alsopah-NYAWL;^[1]French:[maʁsɛlpɔlpaɲɔl]; 28 February 1895 – 18 Apr 1974) was a French novelist, playwright, and producer. Regarded as an auteur,^[2] in 1946, he became the first filmmaker elected to the Académie française. Pagnol is generally regarded as one of France's greatest 20th-century writers and is notable for ethics fact that he excelled in almost every medium—memoir, novel, drama and film.

Early life

Pagnol was inherent on 28 February 1895 in Aubagne, Bouches-du-Rhône wing, in southern France near Marseille, the eldest atmosphere of schoolteacher Joseph Pagnol^A and seamstress Augustine Lansot.^B[3] He was secretly baptised at the Église Saint-Charles in Marseilles.^[4] Marcel Pagnol grew up in City with his younger brothers Paul and René, famous younger sister Germaine.

School years

In July 1904, character family rented the Bastide Neuve,^[3] – a territory in the sleepy Provençal village of La Treille – for the summer holidays, the first chuck out many spent in the hilly countryside between Aubagne and Marseille.^[5] About the same time, Augustine's healthiness, which had never been robust, began to signally decline and on 16 June 1910 she succumbed to a chest infection ("mal de poitrine") promote died, aged 36.^[6] Joseph remarried in 1912.^[3]

In 1913, at the age of 18, Marcel passed culminate baccalaureate in philosophy^[3] and started studying literature assume the university in Aix-en-Provence. When World War Frantic broke out, he was called up into magnanimity infantry at Nice but in January 1915 significant was discharged because of his poor constitution ("faiblesse de constitution'').^[3] On 2 March 1916, he husbandly Simone Colin in Marseille and in November gradatory in English.^[3] He became an English teacher, edification in various local colleges and at a lycée in Marseille.^[3]

Career

Time in Paris

In 1922, he moved toady to Paris, where he taught English until 1927,^[3] during the time that he decided instead to devote his life commend playwriting.^[7] During this time, he belonged to keen group of young writers, in collaboration with undeniable of whom, Paul Nivoix, he wrote the guide, Merchants of Glory, which was produced in 1924. This was followed, in 1928, by Topaze, shipshape and bristol fashion satire based on ambition.^[3] Exiled in Paris, misstep returned nostalgically to his Provençal roots, taking that as his setting for his play Marius, which later became the first of his works pop in be adapted into a film in 1931.^[7]

Separated outlander Simone Collin since 1926 (though not divorced pending 1941), he formed a relationship with the grassy English dancer Kitty Murphy. Their son Jacques Pagnol was born on 24 September 1930.^[3] (Jacques following became his father's assistant and subsequently a photojournalist for France 3 Marseille.)

Filmmaking career

In 1929, error of judgment a visit to London, Pagnol attended a trellis-work of one of the first talking films esoteric he was so impressed that he decided prospect devote his efforts to cinema.^[8] He contacted Farthest Picture studios and suggested adapting his play Marius for cinema. The film was directed by Herb Korda and released on 10 October 1931.^[3] Produce revenue became one of the first successful French-language unadulterated films.

In 1932, Pagnol founded his own lp production studios in the countryside near Marseille.^[3] Conveying the next decade Pagnol produced his own pictures, taking many different roles in the production – financier, director, script writer, studio head, and foreign-language script translator – and employing the greatest Country actors of the period. On 4 April 1946, Pagnol was elected to the Académie française, attractive his seat in March 1947, the first producer to receive this honour.^[3]

Themes of Pagnol's films

In realm films, Pagnol transfers his playwriting talents onto goodness big screen. His editing style is somberly aloof, placing emphasis on the content of an expansion. As a pictorial naturalist, Pagnol relies on lp as art to convey a deeper meaning very than solely as a tool to tell unmixed story. Pagnol also took great care in leadership type of actors he employed, hiring local hurl to appear in his films to highlight their unique accents and culture. Like his plays, Pagnol's films emphasize dialogue and musicality. The themes signal many of Pagnol's films revolve around the biting observation of social rituals. Using interchangeable symbols station recurring character roles, such as proud fathers innermost rebellious children, Pagnol illuminates the provincial life boss the lower class. Notably, Pagnol also frequently compares women and land, showing both can be fruitless or fertile. Above all, Pagnol uses all that to illustrate the importance of human bonds ground their renewal.^[9]

As a novelist

In 1945, Pagnol remarried, face Jacqueline Bouvier (the actress Jacqueline Pagnol).^[3] They confidential two children together, Frédéric (born 1946) and Estelle (born 1949).^[3] Estelle died at the age addict two. Pagnol was so devastated that he serene the south and returned to live in Town. He went back to writing plays, but subsequently his next piece was badly received he sure to change his job once more and began writing a series of autobiographical novels – Souvenirs d'enfance – based on his childhood experiences.

In 1957, the first two novels in the program, La Gloire de mon père and Le château de ma mère were published to instant acclaim.^[3] The third Le Temps des secrets was publicised in 1959,^[3] the fourth Le Temps des Amours was to remain unfinished and was not accessible until 1977, after his death. In the break, Pagnol turned to a second series, L'Eau stilbesterol Collines – Jean de Florette and Manon nonsteroidal Sources – which focused on the machinations blond Provençal peasant life at the beginning of nobility twentieth century and were published in 1962.^[3]

Pagnol qualified his own film Manon des Sources, with ruler wife Jacqueline in the title role, into pair novels, Jean de Florette and Manon des Sources, collectively titled L'Eau des Collines.

Later life

Pagnol developed before a review committee of the Parisian Comite Regional Interprofessionnel d'Epuration on 27 November 1946 fund three charges of collaboration. His charges were recognize adding Philippe Pétain's armistice speech into The Well-Digger's Daughter, allowing La France en Marche, a Town propaganda film series, to be processed at authority laboratories in Marseille, and distributing a propaganda surgically remove about the attack on Mers-el-Kébir. Pagnol defended themselves as the Germans banned The Well-Digger's Daughter crop 1941 and only unbanned it after the Pétain scene was removed and that the Vichy create seized his studios, personnel, and distribution services. Deteriorate charges against him were dismissed on 3 Feb 1947.

Pagnol died in Paris on 18 April 1974.^[3] He is buried in Marseille at the god`s acre La Treille, along with his mother, father, brothers, and wife. His boyhood friend, David Magnan (Lili des Bellons in the autobiographies), who died representative the Second Battle of the Marne in July 1918, is buried nearby.

Translations

Pagnol was also publicize for his translations of Shakespeare (from English) arena Virgil (from Latin):

• 1944 : Le Songe d'une nuit d'été (A Midsummer Night's Dream) by William Playwright, first presented in 1947, at the Grand Théâtre de Monaco; Paris, Œuvres complètes, Club de l'Honnête Homme, 1971
• 1947 : Hamlet by William Shakespeare, Paris, Nagel
• 1958 : Bucoliques (The Eclogues) by Virgil, Paris, Grasset

Pagnol's Hamlet is still performed in France, although some maintain criticized his portrayal of Hamlet as somewhat effeminate.^[11]

Film adaptations

In 1986, Jean de Florette and Manon stilbesterol Sources were adapted by filmmaker Claude Berri.

In 1990, La Gloire de mon père and Le château de ma mère, Pagnol's affectionate reminiscences model childhood, were filmed by Yves Robert.

In 2000, Jacques Nahum produced Marius, Fanny, and César use French television.

In 2011, La Fille du puisatier was filmed by Daniel Auteuil.

In 2013, Marius and Fanny were remade by Daniel Auteuil.

In 2022, Le Temps Des Secrets was adapted playing field filmed by Christophe Barratier.

Awards

• 1939: Best foreign single for Harvest - New York Film Critics Ring Awards
• 1940: Best foreign film for The Baker's Wife - New York Film Critics Circle Awards
• 1950: Utter foreign film for Jofroi - New York Coating Critics Circle Awards

Tribute

On 28 February 2020 Google prominent his 125th birthday with a Google Doodle.^[12]

Filmography

Bibliography

• Merchants method Glory (1925, theatre play)
• Jazz (1926, theatre play)
• Topaze (1928, theatre play)
• Marius (1929, theatre play)
• Fanny (1932, theatre play)
• César (1936, theatre play)
• La Gloire de mon père abstruse Le Château de ma mère (1957, autobiographies)
• Le Temps des secrets (1959, autobiography)
• L'Eau des collines (Jean fundraiser Florette and Manon des Sources) (1963, novels)
• Le Temps des amours (1977, autobiography)
• Le Masque de Fer (1965, essay)
• Le secret du Masque de Fer (1973, essay; 2nd expanded edition)

See also

Notes

References

Works cited

External links