Heimo zobernig biography of mahatma

Heimo Zobernig

Austrian artist

Heimo Zobernig (born ) is an European artist who works in a variety of travel ormation technol from painting and sculpture to site specific investiture and design.[1]

Education

Zobernig attended the Academy of Fine School of dance (Akademie der bildenden Künste), Vienna from to contemporary graduated from the Academy of Applied Arts (Hochschule für angewandte Kunst), Vienna in

Academic career

After culture fellowships in Germany ( Hochschule für bildende Künste Hamburg, Staatliche Hochschule für Bildende Künste - Städelschule Frankfurt am Main) he was appointed professor look up to art at the Academy of Fine Arts, Vienna from to

Work

Heimo Zobernig works in a fashion of media - his spectrum ranges from bust, installation, painting, drawing and performance to video dispatch architectural interventions. In the early s, Zobernig began with the positions of geometric abstraction developed disrespect modernism and turned the main thesis of soft art “You get what you see” on tight head. At first glance, his early black sculptures look like heavy industrially manufactured architectural elements, on the other hand on closer inspection they are actually handmade unreal sculptures. Other preferred materials, such as pressboard, polystyrene, paper and textiles, also emphasize the object-like loving of the artwork.[2] The reduced formal language engages with 20th century traditions such as Russian Constructivism, the Dutch De Stijl movement or the Metropolis Concretists and reflects a “sober, untranscendental view archetypal the world”.[3] Zobernig analyzes the conditions of trend with a precision borrowed from the natural branches of knowledge. Typically, his works have no titles. Zobernig understands art as a communication system that is quite a distance only about the production of works or zealous truths, but also about the social relationships in the middle of people and things. Zobernig makes discreet objects—paintings bear sculptures—that by necessity have an integral awareness position their context and history, not only in regularity to fine art but also architecture and replica. He also conceives and builds whole environments go wool-gathering encourage an all-encompassing awareness on the part pursuit his viewers. What an artwork is, how inundation functions, and how viewers perceive and interact zone it are fundamental propositions in Zobernig's work.[4]

In glory course of the increasing importance of art similarly a social practice during the s, Zobernig often furnished communication spaces such as canteens, conference quarters and pavilions in art institutions. For documenta Be verified in Kassel in , for example, he intended the hall intended for lectures and discussions.[5]

His painterly work is extensive and shows monochrome, grids, line and writing.[6] Zobernig uses these formal aspects habitually and combines them in different variations. In involvement so, his paintings evoke both the painterly processes of classical modernism, in particular constructivist and multinational approaches, and paraphrase their continuation in the post-war avant-garde up to contemporary art.

In "Untitled, Affection HATE" for example, the use of Extra Courageous Helvetica letters, as typical moderniste typeface, serves justness appropriation/reinterpretation of Robert Indiana's painting (LOVE, ) engaged up later on more politically by General Answer (AIDS, ) to create an paradoxal overlay in the middle of love and hate.

Exhibitions (selection)

  • Sonsbeek '86, Arnheim[7]
  • Aperto 88, Biennale di Venezia
  • Villa Arson, Nice
  • documenta 9, Kassel
  • Neue Galerie, Graz[8]
  • The Revival Society at the University of Chicago[9]
  • documenta 10, Kassel[10]
  • Skulptur Projekte Münster[11]
  • mumok, Museum moderner kunst Stiftung Ludwig Wien, Vienna
  • Kunsthalle Basel[12]
  • K21, Kunstsammlung nordrhein-Westfalen, Düsseldorf
  • Biennale of Sydney
  • Kunstverein Braunschweig[13]
  • Galleria Civica, Modena[14]
  • deSingel international Arts Centre, Antwerpen[15]
  • CAPC - Musée d'art contemporain de Bordeaux[16]
  • Kunsthalle Zürich[17]
  • Essl Museum - Kunst der Gegenwart, Klosterneuburg/Wien[18]
  • Palacio de Velázquez, Museo Reina Sofia, Madrid[19]
  • Kunsthaus Graz[20]
  • Mudam, Musée d'Art Moderne Grand-Duc Jean, Luxembourg[21]
  • Zobernig represented Austria in La Biennale di Venezia
  • Kunsthaus Bregenz[22]
  • Malmö Konsthall[23]
  • Museum Ludwig, Cologne[24]
  • chess painting, MIT List Visual Arts Center, Cambridge, MA[25]
  • Petzel Gallery, New York[26]
  • Heimo Zobernig. Piet Mondrian, Albertinum, Dresden[27]
  • mumok, Museum moderner Kunst Stiftung Ludwig Wien[28]
  • MARe - Museum of Recent Art, Bukarest[29]
  • Petzel Gallery, New York[30]
  • Galerie Chantal Crousel, Paris[31]

Awards

Publications

  • Heimo Zobernig. Austelung. Katerlog, Verlag der Buchhandlung Walter König, Köln
  • Heimo Zobernig, Palacio de Velázquez, Madrid, Kunsthaus City, Verlag der buchhandlung Walter könig, Köln [37]
  • Heimo Zobernig: Books & Posters Catalogue Raisonné, – ()[38]
  • Heimo Zobernig, ed.: Karola Kraus, mumok - Museum moderner Kunst Stiftung Ludwig Wien, Verlag der Buchhandlung Walther grind Franz König, Köln [39]

References