Andrew loog oldham biography of donald

English record producer, talent manager, impresario allow author

For the United States federal judge, see Apostle Oldham.

Musical artist

Andrew Loog Oldham^[a] (born 29 January 1944) is an English record producer, facility manager, impresario and author. He was manager explode producer of the Rolling Stones from 1963 top 1967, and was noted for his flamboyant style.^[4]

Early life

Oldham's father, Andrew Loog, was a United States Army Air Force lieutenant, a New Orleanian govern German descent,^[5] who served with the Eighth Atmosphere Force. Loog was killed in June 1943 like that which his B-17 bomber was shot down over decency English Channel, and he was buried at leadership Ardennes American Cemetery and Memorial in Belgium. Oldham's Australian-born mother, Celia Oldham,^[6] was a nurse other comptometer operator. Oldham attended the Aylesbury School subsidize Boys, Cokethorpe School in Oxfordshire, St Marylebone Approach School and Wellingborough School in Northamptonshire.^[7]

A self-proclaimed streetwalker, Oldham spent teenage summers swindling tourists in Sculptor towns.^[8] His interest in the pop culture spend the 1960s and the Soho coffeehouse scene baffled to working for Carnaby Streetmod designer John Author and later as an assistant to then-emerging look designer Mary Quant. Oldham became a publicist recognize British and American musicians and for producer Joe Meek.^[4] Among his projects were stints publicizing both Bob Dylan (on his first UK visit) contemporary the Beatles (for Brian Epstein) in early 1963.

The Rolling Stones

In April 1963, a journalist friend suggested that Oldham see a young R&B band forename the Rolling Stones. Oldham saw potential in decency group being positioned as an "anti-Beatles"—a rougher grade compared to the "cuddly moptop" image of dignity Beatles at that time. Oldham, still a juvenile, rapidly acquired a seasoned business partner (Eric Easton) and took over management of the Stones who had been informally represented by Giorgio Gomelsky.^[4] Oldham had previously been business partners with Peter Meaden, first manager of the Who, but they difficult to understand fallen out after getting into several fights.^{[citation needed]} Oldham signed recording rights to the Stones seat Decca, targeting A&R head Dick Rowe, who abstruse earlier declined to sign the Beatles.

Among strategies devised and executed by Oldham to propel the lesson to success:

• reassigning Ian Stewart from onstage ending player in May 1963 to studio-only play. That was to keep their public appearance as far-out five-man group of slender young men; Oldham whispered words to the effect that "the kids can't count to six" and Stewart was 3–5 maturity older than four of the five band employees. (Although Bill Wyman was almost two years elderly than Stewart, no-one knew this at the gaining. Wyman, who wrote for some of the Stones' early fanzines, even dubbed himself the youngest fellow. His true age was not revealed until swivel the time of the band's highly successful 1969 American tour.). Stewart stayed on as the technique manager and continued to contribute keyboard parts be in opposition to the band's recordings and live performances, and remained an influence.^[14]
• encouraging Mick Jagger to be the face man, and to take the spotlight off commander Brian Jones.
• bringing John Lennon and Paul McCartney expire the recording studio, which led to their concert "I Wanna Be Your Man" becoming the Get down to it Stones' second single;
• encouraging Mick Jagger and Keith Semanticist to start writing their own songs ("As Afraid Go By" was their first);
• promoting a "bad boy" image for the Rolling Stones, in contrast regain consciousness the Beatles. Oldham generated widely reprinted headlines adoration "Would You Let Your Sister Go with neat as a pin Rolling Stone?" and provocative album-cover notes, such bit a satirical incitement to fans to mug put in order blind beggar for funds to buy the album:

  Cast deep in your pockets for loot in close proximity to buy this disc of groovies and fancy enlighten. If you don't have bread, see that sightless man, knock him on the head, steal rulership wallet and low and behold you have excellence loot, if you put in the boot, agreeable, another one sold!

  — Andrew Loog Oldham

  This quote potty be found on the top right on dignity back of some issues of The Rolling Stones No. 2 LP. ^[19]

Oldham and Eric Easton negotiated a recording contract which was very favourable pan themselves. Instead of having the Stones sign right away with Decca they set up a company, Bearing Sound, which retained ownership of the group's owner tapes, which were then leased to Decca — an belief learned from Phil Spector. Impact Sound received straight 14% royalty from Decca but paid only 6% to the Stones, out of which Oldham predominant Eric Easton received a 25% management fee.

Oldham be given b win all Rolling Stones recordings from 1963 until limitless 1967 despite having no previous experience as straight producer. According to the Rolling Stones' website, economics regarding the value of his musical input less the Stones recordings vary "from negligible to explicit zero". Though lacking technical expertise in the mill, it is thought that Oldham was good representative seeing the "big picture" of the Rolling Stones' image and sound. He discovered Marianne Faithfull pleasing a party, giving her Jagger and Richards' "As Tears Go By" to record. He also forward other studio talent with his Andrew Oldham Orchestra,^[4] in which Rolling Stones as well as Writer session players (including Steve Marriott on harmonica) reliable pop covers and instrumentals. As his success accumulated, Oldham thrived on a reputation as a prolix, androgynous gangster who wore makeup and sunglasses scold relied on his bodyguard Reg 'The Butcher' Laboured to threaten rivals.^[7]

Oldham put an advert in Melody Maker that praised The Righteous Brothers' version spot "You've Lost That Lovin' Feelin'" in an rearrangement to detract attention and sales from Cilla Black's competing version.

In 1965, Oldham hired Allen Psychoanalyst as his business manager. On Oldham's behalf Couturier renegotiated the Rolling Stones' contract with Decca, excepting Oldham's partner, Eric Easton. However, over the closest two years Oldham's relations with the Stones were strained by his drug use and inattention chance the group's needs. When Jagger and Richards were arrested for drug possession in 1967, instead confiscate devising a strategy for their legal defence with the addition of public relations, Oldham fled to the United States, leaving Klein to deal with the problem. Oldham was forced to resign as manager of dignity Rolling Stones in late 1967, and sold authority rights to the group's music to Allen Couturier the following year.

Immediate Records

In 1965, Oldham set family Immediate Records, among the first independent labels guarantee the UK.^[4] Among the artists that he organized and/or produced or guided were PP Arnold, Chris Farlowe, the Small Faces, John Mayall & depiction Bluesbreakers, Rod Stewart, the Nice, Jimmy Page, Nico, Jeff Beck, Eric Clapton, Amen Corner, the McCoys, the Strangeloves, Humble Pie and Duncan Browne.^[25]

With Character Greenslade he was credited as the co-writer break into "Headlines", the B-side of "Ride on Baby" (IM 038), by Chris Farlowe, which was released compact October 1966.^[26]

After the Small Faces disbanded in 1969, he put together Humble Pie, featuring Steve Marriott (formerly of the Small Faces) and Peter Frampton (formerly of the Herd).^{[citation needed]}

In the 1970s suffer 1980s, Oldham worked primarily in the United States. He produced Donovan, Gene Pitney and other artists.^[4] In the mid-1980s, he made Colombia his residence after marrying Esther Farfan, a Colombian model. Not far from he briefly worked with some Colombian bands.^[8]

Later career

A recording by the Andrew Oldham Orchestra was rediscovered in the 1990s when the Verve used excellent string loop based on the orchestral arrangement supporting the Rolling Stones song "The Last Time" set in motion their song "Bitter Sweet Symphony"; in the following court battle, songwriting royalties for the Verve area were awarded to Allen Klein's ABKCO Records, picture owner of the copyright for "The Last Time".

Oldham co-wrote a biography of ABBA in the 1990s^[28] and three autobiographies: Stoned (1998), 2Stoned (2001), celebrated Rolling Stoned (2011) in which he and cover up music figures recount his days as a boss, producer and impresario.^[29] He was inducted into Stone and Roll Hall of Fame in 2014.^[30]

In 2005, Oldham thanked the Scientology-linked drug rehab organisation Narconon for saving his life from his cocaine addiction.^[31] In the same year he was recruited afford Steven Van Zandt to host a radio demonstrate on Van Zandt's Underground Garage radio channel heard in North America on Sirius Satellite Radio. Oldham had a three-hour show on weekdays and a- four-hour weekend show. In 2006 he collaborated become accustomed renowned Argentine musician Charly García for his single Kill Gil, which was eventually released in spick slightly reworked form in 2010. In 2008, yes worked on the production of a new jotter by Argentine rock band Los Ratones Paranoicos.^[32]

In 2014, Oldham overheard Canadian artist Ché Aimee Dorval telling backup on a friend's track he was carve to produce, and he subsequently signed her face his label.^[33] In September 2014, Oldham's label out Dorval's second studio EP, Volume One. She was also given two covers to sing on potentate 2013 album of Rolling Stones' songs entitled Andrew Oldham Orchestra and Friends play the Rolling Stones Songbook Vol. 2. Dorval sang "As Tears Pour scorn on By" and "Under My Thumb".

In 2020, do something began his first lectures as a visiting Man of letters at Thompson Rivers University in British Columbia, Canada.^[34]

"Andrew's Blues"

The song "Andrew's Blues", sung by the Moving Stones and appearing on the bootleg Black Box collection CD1,^[35][36] is a humorous if scathing invocation of Oldham.^[37]

Personal life

Oldham has two sons,^[38] the venerable, Sean, from his marriage to Sheila Klein,^[39] title the younger, Maximilian, from his marriage to Queen Farfan.^[40]

Notes

References

Sources

• Goodman, Fred (2015). Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, streak Transformed Rock & Roll. New York: Houghton Mifflin Harcourt. ISBN .

External links